Later On

A blog written for those whose interests more or less match mine.

Turns out the Trump era isn’t ‘1984.’ It’s ‘King Lear.’

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Ron Charles makes a good point in the Washington Post:

We were wrong: The Trump era is not like George Orwell’s “1984.

But how striking those echoes sounded at first. Kellyanne Conway, the president’s spirit animal, seemed to borrow phrases directly from Big Brother when she posited the existence of “alternative facts.” Press secretary Sean Spicer sounded like an official from the Ministry of Truth when he contradicted witnesses and photographs to claim that President Trump’s inauguration crowd was record-setting.

Alarming as such dystopian comparisons were, they offered some deep satisfaction in the early days of our dark ages. Playing the Orwell card was not just a handy insult with a dash of literary sophistication, it also exercised a salutary effect on right-thinking people. To connect the day’s latest outrage to a classic novel suggested that we’d seen Trump’s behavior before, that literature had anticipated his linguistic abuses, that his appeal could be understood. Having on the breastplate of foreknowledge, we could withstand whatever further assaults might be coming.

By now it should be clear that the Trump administration is nothing like the ruling power of Orwell’s Oceania or — another common claim — like Margaret Atwood’s Gilead in “The Handmaid’s Tale.” The repressive governments of those imagined hellscapes are marked, primarily, not by their vast deception but by their absolute order. Flawless message control and meticulous image manipulation are the foundations of their sovereignty. Nothing could be further from the continuous upheaval that DonaldTrump wreaks.

For literary precedent, we should skip over the dystopian novels of the 20th century, which were predicated on terrifyingly invasive management. The most prominent characteristic of our era is not the monolithic power of one party, but the erratic personality of one man. Every morning, all sides of the political establishment — his family and friends, along with “the haters and losers” — must contend with Trump’s zigzagging proclamations, his grandiose promises, his spasmodic attachments.

Consequently, the best literary precedent for what we’re enduring now is not the static image of Big Brother but the turbulent eruptions of King Lear. In Shakespeare’s immortal tragedy, composed around 1605, we see a kingdom entirely in thrall to the fitful mentality of its leader with his “unconstant starts.” As one of Lear’s daughters says, “The best and soundest of his time hath been but rash.” Or, as Politico observed400 years later about our president: ­“Unpredictability . . . is not a quirk but a hallmark.”

Once you make the comparison between Lear and Trump, the similarities begin to line up like attendants at court. Most striking, the old king of Britain and the new president of the United States are rulers obsessed with personal devotion. Trump is, as he once noted in his typically Shakespearean way, “like, this great loyalty freak.”

Trump’s language may not pass muster in ninth-grade English, but that’s a pretty fair description of King Lear. In fact, the great crisis of Shakespeare’s tragedy hinges on the fact that Lear is, like, this great loyalty freak, too. How eerily familiar that opening scene must feel to the Cabinet members and advisers currying favor at 1600 Pennsylvania Ave.:

“Which of you,” Lear demands, “shall we say doth love us most?”

Goneril and Regan dutifully deliver their unctuous praise, but principled Cordelia — played for us with touching poignancy by FBI Director James B. Comey — refuses to take the loyalty pledge and is summarily disinherited. (Lear doesn’t even wait for the Earl of Kent to compose a memo justifying the move.)

Now, like Lear’s subjects, we find ourselves experiencing the chaos that reigns “when majesty falls to folly.” As the Russian inquiry melds with the Michael Flynn scandal and the Comey investigation, the ludicrous denials and confusing qualifications keep spewing from the White House. Each day’s revelations are more disturbing than the last. We can take bitter comfort in Edgar’s gallows humor: “The worst is not, so long as we can say, ‘This is the worst.’”

How many of the president’s supporters have begged him — as Lear’s supporters implored him — “Check this hideous rashness” . . .

Continue reading.

And note that King Lear is currently playing DC—I mean in a theater, not just in the White House.

Written by LeisureGuy

30 May 2017 at 10:13 am

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