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Science Over Capitalism: Kim Stanley Robinson and the Imperative of Hope

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James Bradley’s interview with Kim Stanley Robinson is excerpted from the book Tomorrow’s Parties: Life in the Anthropocene and appears in The MIT Press Reader:

There is no question Kim Stanley Robinson is one of the most important writers working today. Across almost four decades and more than 20 novels, his scrupulously imagined fiction has consistently explored questions of social justice, political and environmental economy, and utopian possibility.

Robinson is probably best known for his Mars trilogy, which envisions the settlement and transformation of Mars over several centuries, and the ethical and political challenges of building a new society. Yet it is possible his most significant legacy will turn out to be the remarkable sequence of novels that began with “2312.” Published across less than a decade, these six books reimagine both our past and our future in startlingly new ways, emphasizing the indivisibility of ecological and economic systems and placing the climate emergency center stage.

The most recent, “The Ministry for the Future,” published in 2020, is a work of extraordinary scale and ambition. Simultaneously a deeply confronting vision of the true scale of the climate crisis, a future history of the next 50 years, and a manifesto outlining the revolutionary change that will be necessary to avert catastrophe, it is by turns terrifying, exhilarating, and finally, perhaps surprisingly, guardedly hopeful. It is also one of the most important books published in recent years.

This interview was conducted between January and March 2021, beginning in the immediate aftermath of the attack on the United States Capitol and the inauguration of President Biden, and ending as a second wave of the COVID pandemic began to gather pace in many countries around the world. As we bounced questions back and forth across the Pacific, a drumbeat of impending disaster grew louder by the day: atmospheric carbon dioxide reached 417 ppm, a level 50 percent higher than preindustrial levels; a study showed the current system responsible for the relative warmth of the Northern Hemisphere — the Atlantic meridional overturning circulation — at its weakest level in a thousand years; and Kyoto’s cherry blossoms bloomed earlier than they have at any time since records began in the ninth century CE.

James Bradley: In several of your recent novels, you’ve characterized the first few decades of the 21st century as a time of inaction and indecision — in “2312,” for instance, you called them “the Dithering” — but in “The Ministry for the Future,” you talk about the 2030s as “the zombie years,” a moment when “civilization had been killed but it kept walking the Earth, staggering toward some fate even worse than death.” I wonder whether you could talk a little bit about that idea. What’s brought us to this point? And what does it mean for a civilization to be dead?

Kim Stanley Robinson: I’m thinking now that my sense of our global civilization dithering, and also trying to operate on old ideas and systems that are clearly inadequate to the present crisis, has been radically impacted by the COVID pandemic, which I think has been somewhat of a wake-up call for everyone — showing that we are indeed in a global civilization in every important sense (food supply, for instance), and also that we are utterly dependent on science and technology to keep eight billion people alive.

So “2312” was written in 2010. In that novel, I provided a timeline of sorts, looking backward from 2312, that was notional and intended to shock, also to fill the many decades it takes to make three centuries, and in a way that got my story in place the way I wanted it. In other words, it was a literary device, not a prediction. But it’s interesting now to look back and see me describing “the Dithering” as lasting so long. These are all affect states, not chronological predictions; I think it’s very important to emphasize science fiction’s double action, as both prophecy and metaphor for our present. As prophecy, SF is always wrong; as metaphor, it is always right, being an expression of the feeling of the time of writing.

So following that, “The Ministry for the Future” was written in 2019, before the pandemic. It expresses both fears and hopes specific to 2019 — and now, because of the shock of the pandemic, it can serve as an image of “how it felt before.” It’s already a historical artifact. That’s fine, and I think it might be possible that the book can be read better now than it could have been in January 2020 when I finished it.

Now I don’t think there will be a period of “zombie years,” and certainly not the 2030s. The pandemic as a shock has sped up civilization’s awareness of the existential dangers of climate change. Now, post COVID, a fictional future history might speak of the “Trembling Twenties” as it’s described in “The Ministry for the Future,” but it also seems it will be a period of galvanized, spasmodic, intense struggle for control over history, starting right now. With that new feeling, the 2030s seem very far off and impossible to predict at all.

JB: In “The Ministry for the Future,” the thing that finally triggers change is the catastrophic heat wave that opens the book. It’s a profoundly upsetting and very powerful piece of writing, partly because an event of the sort it depicts is likely to be a reality within a decade or so. But as somebody whose country has already experienced catastrophic climate disaster in the form of fire and flood and seen little or no change in our political discourse, I found myself wondering whether the idea such a disaster would trigger change mightn’t be too optimistic. Do you think it will take catastrophe to create real change? Or will the impetus come from elsewhere?

KSR: People are good at . . .

Continue reading.

Written by Leisureguy

28 October 2022 at 6:32 pm

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